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Tag Archives: chine colle
Marks in Nature: 6
Pages: Multi layer print and collage. Chine collé and drawing. Gelli plate peel print using dried plant material. Now to put the book together.
Posted in My books & journals, My Creative Pieces, My prints
Tagged chine colle, Linocuts, plant fibre paper, Stencils
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Marks in Nature: 5
Pages: Masked acrylic paint prints using clingfilm to create texture. Multi layer chine collé and paint. Gelli plate peel print using dried plant material. Masking and chine collé.
Posted in My books & journals, My Creative Pieces, My prints
Tagged chine colle, plant fibre paper, Stencils
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Marks in Nature: 4
Pages: Chine collé and other collaged pieces of handmade paper were included here. The stencil was used as a mask to achieve this negative image transfer. Overlaid chine collé pieces. Plant dyed tissue was slightly crumpled and adhered to the … Continue reading
Posted in My books & journals, My Creative Pieces, My prints
Tagged chine colle, Linocuts, plant fibre paper, Stencils
2 Comments
Marks in Nature: 3
Pages: The carved lino was initially rolled with Stormy Grey oil-based ink. Prior to printing I decided I wasn’t going to like the colour against the (mainly) banana fibre paper so, to remove the ink and start again, I sprayed … Continue reading
Posted in My books & journals, My Creative Pieces, My prints
Tagged chine colle, Linocuts, plant fibre paper
2 Comments
Preparing chine collé
I’ve been painting acid-free tissue paper – to use when printing – in preparation for a 5 day collagraph course I’m about to attend. I used very watered-down acrylic paints, allowed the tissue to dry and then ironed the pieces … Continue reading
Banksia Book – Constructed
Over recent months I’ve documented my progress in printing some Banksia themed solar plates I was given late last year. Some of them are quite worn, or possibly not etched deeply enough to start with, but they have been a … Continue reading
Stage 1: Elian and the Vortex
Plate 1: Zinc plate, hard-ground etched from pencil transfer drawing. My start point for this project was a bunch of native flowers given to me by my husband, and some plants I recently photographed whilst out walking.. Australian natives are … Continue reading
Posted in Elian and his world of fantasy, My Creative Pieces, My prints
Tagged Acid etching, chine colle, Elian, Hard ground etching
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Chine collé – The final outcome
Continuing on with my chine collé flower design (see previous posts here and here) I adhered a simple iron-on Wispa Weft to the back of some of the prints and tried to machine stitch around some of the flowers. I … Continue reading
Posted in My books & journals, My Creative Pieces, My prints
Tagged chine colle, Reduction lino printing
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Chine collé – The next stage
In the past I have always cut my shape from the tissue chine collé, inked up the lino/monoprint or whatever, laid the tissue over the inked surface, applied the glue and then printed it. By placing the paper over the … Continue reading
Chine collé – Making my own design
A short tutorial on creating personal designs for chine collé print techniques. I acquired a single sheet of lightweight printed paper which I wish to incorporate in my latest print project (anyone know what this actually says?). However, knowing that … Continue reading
Print 1. Project 15: Design 3
Woodblock & chine collé – design for a beach bag. I’m very excited about this design. My aim is to produce a single colour print ‘Margaret Preston’ style with a border and include chine collé instead of her hand-painted technique. … Continue reading
Posted in Printmaking 1
Tagged chine colle, Print1-P15, Print1-Sketchbook, wodblock printing
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Print 1. Project 14: Revisit
I am desperately trying to keep the collagraph layers and prints I previously did on greaseproof paper glued together, but it’s not working terribly well. I can see myself becoming an excellent reference for the manufacturer, proving that these sheets … Continue reading
Print 1. Project 14: Review
Can you see opportunities to develop this printmaking technique? Yes. I really enjoyed the inclusion of collage into the ‘sandwich’ of print layers. It adds another dimension, a point of interest and a colour effect not possible to produce with … Continue reading
Print 1. Project 14: The design
Developing the design I didn’t have a subject matter in mind when I started this project so, whilst sitting in the garden, I doodled and thought. I started with a nine square grid. It may be a large stretch of … Continue reading
Print 1. Project 14: Selecting techniques
Planning the print process I really enjoyed Project 13 despite the length of time it took me to get through it. I’m going to build on the techniques I used to create the carousel horses prints. Some of the points … Continue reading
Print 1. Project 14: Research
Today I’m looking at artists who use chine collé in their work. Rachel Gross I see the consistent thread running through all her pieces as being the use of paint, collage and bold shapes. Her methods include intaglio, aquatint shapes, … Continue reading
Posted in Printmaking 1
Tagged Akiko Taniguchi, chine colle, Jeff Gardner, Lydia Poljak, Print1-P14, Rachel Gross
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Tactual Textiles by Claire 