I’ve barely posted anything recently but I’ve still been super creative and busy with a variety of projects, all that will be shared eventually.
Earlier this month I taught a one day collagraph workshop. It was fun but extremely busy and I’ve decided that the shortcuts taken to both create and print plates within a 6 hour window (where you also have to fit in lunch!) compromises the results more than I’m comfortable with. Don’t get me wrong, the participants had a terrific time and all achieved great results but with a very short drying time-span they were unable to take advantage of any of the gels and mediums now available. These products create amazing textures but usually have to dry overnight before applying ink – not an option for us.
Anyway, not to worry, they made use of both cutting into their print plate and well as adhering a variety of media to the surface, thereby achieving a good many layers and some textures to work with.
I started by showing a few of my samples and discussing what works, what to look out for and what to avoid.
I demonstrated inking up with oil-based inks.
They were soon working in both plain black and colour.
I only had time to briefly cover chine collé and masking, with a demonstration on one piece.
It was a fun, but full-on, day and the students worked very hard and left with good prints and a better understanding of the technique. I’ve already been asked to teach this for another group but, happily, it will be over 2 days.
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